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DTSTART;VALUE=DATE:20251016
DTEND;VALUE=DATE:20251019
DTSTAMP:20251209T190512Z
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SUMMARY:Livewire 15: Blazing Trails
DESCRIPTION:The Department of Music presents the Livewire 15: Blazing Trails new music festival. Through concerts and other events\, Livewire celebrates the innovators\, the brave\, the experimental\, the “firsts”: the trail blazers. Each event celebrates artists who forged new directions\, challenged barriers\, and opened doors for those who followed. We are proud to present Zosha Di Castri as our composer in residence. \n\nThursday\, October 16 \n6:45 p.m.\, The Music Box\nKeynote talk with Zosha Di Castri \n7:30 p.m.\, Linehan Concert Hall\nRUCKUS\, the faculty ensemble in residence at UMBC\, performs a concert of works by Zosha Di Castri\, Sofia Gubaidulina\, Tania León\, George Lewis\, and Joan Tower. Please visit here for complete information. \n\nFriday\, October 17 \n12 p.m.\, Linehan Concert Hall\nEmerging Artists Concert \n1:30 p.m.\, The Music Box\nZosha Di Castri: My Music \n6:45 p.m.\, The Music Box\nPre-concert talk with richard valitutto\, Julius Eastman scholar and editor of this evening’s edition of Femenine \n7:30 p.m.\, Linehan Concert Hall\nFor the second evening of the Livewire 15 new music festival\, the RUCKUS ensemble is joined by UMBC affiliate faculty to present Julius Eastman’s concert-length work\, Femenine. Please visit here for complete information. \n\nSaturday\, October 18\n \n12:30 p.m.\, The Music Box\nAlison Knowles: Proposition #2\, Made a Salad\nHow often do you get a chance to eat a work of art? RUCKUS presents a lunchtime performance of Alison Knowles’s groundbreaking Fluxus work\, Proposition #2: Make a Salad. Please visit here for complete information. \n2 p.m.\, The Music Box\nThomas Moore: John Cage‘s Etudes Australes and their call to action\nMaleke Glee: Sonic-Hybrity and Interdisciplinary Interventions in Beyoncé’s Cowboy Carter \n7:30 p.m.\, Linehan Concert Hall\nWith characteristic elan and virtuosity\, Ensemble Bravura and conductor Philip Mann present a multifaceted and eclectic Livewire 15 festival finale exploring human interconnection\, with works by David Baker\, Jennifer Higdon\, Myroslav Skoryk\, Karlheinz Stockhausen\, and Joan Tower. Please visit here for complete information. \n\nLinehan Concert Hall and The Music Box\, both located in the Performing Arts and Humanities Building\, are easy to visit\, with plenty of free parking. Please visit here for directions and parking information. \n\n\nThis event is supported in part by the Arts+ initiative. \n  \n 
URL:https://options.umbc.edu/event/livewire-15-blazing-trails/
LOCATION:Earl and Darielle Linehan Concert Hall\, Catonsville\, MD\, 21250\, United States
CATEGORIES:All Events,Arts and Culture,Music
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DTSTART;VALUE=DATE:20251016
DTEND;VALUE=DATE:20251018
DTSTAMP:20251209T190513Z
CREATED:20250821T212154Z
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SUMMARY:Baye & Asa
DESCRIPTION:Join us for two evenings of cutting edge modern dance as the Department of Dance presents the New York City-based duo Baye & Asa. \nBaye & Asa is a company creating movement art projects directed by Amadi ‘Baye’ Washington & Sam ‘Asa’ Pratt\, who met when they were 6 years old. The duo states\, “The physical aggression in our choreography is a symptom of our political rage\, and a yearning to personally implicate ourselves. We use our choreography to create political metaphors\, interrogate systemic inequities\, and contemporize ancient allegories; we build theatrical contexts that celebrate\, implicate\, and condemn the characters onstage.” \nBaye & Asa have presented their work at The Joyce Theater\, The Metropolitan Museum of Art\, La MaMa Experimental Theater Club\, Baryshnikov Arts Center\, Jacob’s Pillow\, Pioneer Works\, Guggenheim Works & Process\, and the American Dance Festival. Named one of Dance Magazine’s “25 to Watch” in 2022\, they were recipients of Dance Magazine’s 2023 Harkness Promise Award. Baye & Asa have created works for The Martha Graham Dance Company\, BODYTRAFFIC\, and Alvin Ailey II. \nTheir program at UMBC will feature two works: \n\nSuck it Up: Commercial images promise status\, offer solutions to inadequacy\, and breed entitlement. Internalized deficiency has created a culture of resentment. Suck it up: a duet confronting the violent fallout of male insecurity and entitlement.\nSecond Seed: Second Seed is a short film responding to D.W. Griffith’s 1915 silent film The Birth of a Nation. Griffith’s film is an assertion of White Supremacy\, and a veneration of the KKK. Our works confront the myth of Griffith’s “helpless white minority\,” and the cult of white-victimhood’s enduring impact on American polity. Second Seed is our collision with this American artifact.\n\n\n\n\n$10 general admission\, $7 for UMBC students and seniors. \nTwo performances in the Dance Cube — click on the event to reserve seats.\nThursday\, October 16\, 7:30 p.m.\nFriday\, October 17\, 7:30 p.m. \n\nThe Dance Cube\, located on the third floor of the Performing Arts and Humanities Building\, is easy to visit\, with plenty of free parking. Please visit here for additional information. \n\n\nThis event is supported in part by the Arts+ initiative. \n 
URL:https://options.umbc.edu/event/baye-asa/
LOCATION:Dance Cube
CATEGORIES:All Events,Arts and Culture,Dance
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DTSTART;TZID=America/New_York:20251015T160000
DTEND;TZID=America/New_York:20251015T173000
DTSTAMP:20251209T190513Z
CREATED:20250928T224125Z
LAST-MODIFIED:20251209T190513Z
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SUMMARY:Disability and the Ideal in Archaic Greek Art
DESCRIPTION:Ancient Studies Week Lecture with Debby Sneed\, California State University Long Beach\nPart of the Fall 2025 Humanities Forum \nDisability and the Ideal in Archaic Greek Art \nThe study of Greek art is heavily influenced by the notion of the ideal and idealized human body\, which has long been assumed to exclude various aspects of bodily difference and disability. In this talk\, Debby Sneed will present a marble sculpture of a korē (maiden) that was dedicated on the Athenian Acropolis in the late 6th century BCE. This sculpture represents a dwarf woman\, likely the daughter of a married couple whose names are preserved on the inscribed base. Altogether\, this sculpture and its base represent the best-attested dedication from the Acropolis in the Archaic period\, and yet it remains largely unknown to students of ancient Greek art because of the difficulties art historians have had placing her\, with her body\, into preconceived ideas about ideal Greek representations. With an approach informed by theories developed in the field of disability studies\, we can reassess this sculpture and\, with it\, our understandings of ancient Greek art\, display\, and dedication in 6th century BCE Athens. \n\nDebby Sneed is Assistant Professor of Classics at California State University\, Long Beach and Field Supervisor of the Athenian Agora excavations and summer program. She researches physical disability in the ancient Greek world and advocates for accessibility in the modern fields of Classics and Archaeology. \n\nAdmission is free. \n\nCo-sponsored by the Dresher Center for the Humanities and the Critical Disability Studies Minor. \n\nPhoto: Sean DuFrene / Photographer\, Strategic Communications\, California State University\, Long Beach
URL:https://options.umbc.edu/event/disability-and-the-ideal-in-archaic-greek-art/
LOCATION:Albin O. Kuhn Library Gallery
CATEGORIES:All Events,Arts and Culture,Humanities,Visual Arts
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DTSTART;TZID=America/New_York:20251014T173000
DTEND;TZID=America/New_York:20251014T190000
DTSTAMP:20251209T190513Z
CREATED:20250715T205238Z
LAST-MODIFIED:20251209T190513Z
UID:10000826-1760463000-1760468400@options.umbc.edu
SUMMARY:Mel Chin: Constructing Liberation
DESCRIPTION:The Center for Innovation\, Research\, and Creativity in the Arts (CIRCA) presents artist Mel Chin\, known for the broad range of approaches in his art\, including works that require multi-disciplinary\, collaborative teamwork and works that enlist science as an aesthetic component to developing complex ideas. Chin uses technology\, collage\, sculpture\, and large-scale installations to create a body of work centered around environmental\, political\, and social issues\, inserting art into unlikely places and forms\, including video games\, destroyed homes\, toxic landfills\, and popular television. Interested in creating greater social awareness and responsibility\, and making a place for possible political transformation\, Chin engages wide-ranging communities in the conception\, execution\, and success of his work. \nChin’s work is in the permanent collections of the National Gallery of Art\, Museum of Modern Art\, High Museum of Art\, the Menil Collection\, the Museum of Fine Arts\, Houston\, the Whitney Museum of American Art\, and the Cantor Art Center at Stanford University. He was the recipient of a 2019 MacArthur Foundation “Genius” grant. Read more about Chin on CIRCA’s event page. \n\nAdmission is free\, and a reception will follow. Please RSVP for this event. \n\nImage: Mel Chin\, The Eye of the Beholder (1 dollar denomination)\, from Erased U.S. currency series\, 1995. \n\n\n\n\nThis event is funded by the Arts+ Initiative and the College of Arts\, Humanities\, and Social Sciences. \n 
URL:https://options.umbc.edu/event/mel-chin-constructing-liberation/
LOCATION:Fine Arts Recital Hall\, MD
CATEGORIES:All Events,Arts and Culture,Visual Arts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251012T150000
DTEND;TZID=America/New_York:20251012T170000
DTSTAMP:20251209T190513Z
CREATED:20250812T005259Z
LAST-MODIFIED:20251209T190513Z
UID:10000842-1760281200-1760288400@options.umbc.edu
SUMMARY:UMBC Jazz Ensemble
DESCRIPTION:The Department of Music presents the UMBC Jazz Ensemble\, directed by Matthew Belzer\, in a program of music by Charles Mingus\, Quincy Jones\, Pat Metheny\, Jack DeJohnette\, Kenny Wheeler\, and Fred Sturm. \nThe program: \n\nCanon — Charles Mingus\nAscending — Fred Sturm\n‘Deed I Do (as performed by Ella Fitzgerald) — Music and Words by Fred Rose and Walter Hirsch\, arranged by Quincy Jones\nGentle Piece — Kenny Wheeler\nAhmad The Terrible — Jack DeJohnette/arranged by Matt Belzer\nSong For Bilbao — Pat Metheny/arranged by Alan Baylock\n\n\nAdmission is free\, and tickets are not required. \n\nLinehan Concert Hall\, located in the Performing Arts and Humanities Building\, is easy to visit\, with plenty of free parking. Please visit here for directions and parking information. \n 
URL:https://options.umbc.edu/event/umbc-jazz-ensemble/
LOCATION:Earl and Darielle Linehan Concert Hall\, Catonsville\, MD\, 21250\, United States
CATEGORIES:All Events,Arts and Culture,Music
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20251009
DTEND;VALUE=DATE:20251123
DTSTAMP:20251209T190514Z
CREATED:20250914T213642Z
LAST-MODIFIED:20251209T190514Z
UID:10000959-1759968000-1763855999@options.umbc.edu
SUMMARY:Pedagogy Study Hall
DESCRIPTION:The Center for Art\, Design\, and Visual Culture (CADVC) presents Pedagogy Study Hall\, a collaborative exhibition\, research project\, and public humanities residency by interdisciplinary artist Tomashi Jackson and policy analyst and economic advocate Nia K. Evans. The project examines systems of investment and disinvestment in the arts and humanities as reflections of broader civic and economic structures. Drawing on Baltimore’s grassroots history of cultural labor and social justice organizing\, Pedagogy Study Hall offers a multilayered model for public memory\, artistic research\, and civic pedagogy. \nPedagogy Study Hall is not a static exhibition but a process — an accumulative and iterative space where teaching\, learning\, and collective study unfold in real time. Jackson and Evans define pedagogy not only as the philosophy and practice of teaching\, but also as the systems of decision-making and environments that make learning possible. \nThe CADVC exhibition presents a spatialized archive of research collected through two years of public programs\, interviews\, and collaborative inquiry. Materials include audio and video recordings\, a mural documenting a timeline of salient events\, zines\, press clippings\, archival documents\, and program-based ephemera. Programming explores the interplay of art\, law\, policy\, education\, and community activism in shaping the cultural landscape. Key elements include: \n\nTimeline Mural: A graphite-washed wall charting arts and humanities legislation and other datapoints from the founding of the NEA and NEH through the present\, with new entries added during the exhibition based on Baltimore interviews and research.\nVideo Installations: A series of interviews with historians\, civil rights attorneys\, and Baltimore cultural workers\, expanded over the run of the show. In the CADVC theater\, a looped projection of Tommy Tonight — Jackson’s drag alter ego — critiques cultural institutions such as the library\, the museum\, and the artist residency space. This includes On My Own (Devotions in the BMA & at Lisa’s House in Roxbury) (2023)\, produced at the Baltimore Museum of Art during Jackson’s residency with CADVC. At night\, a large-scale amphitheater projection extends the exhibition outward into public space.\nPublic Programs: The exhibition functions as a forum for active research. Live interviews and conversations recorded during public programs will be added to the gallery over time\, generating new content and extending the exhibition’s evolving form. These materials will provide the foundation for a multimedia publication\, edited by Evans and scheduled for release in 2027.\n\n\nAcross its run\, Pedagogy Study Hall will host a wide-ranging series of public events including reading groups\, drawing sessions\, workshops\, and roundtables. Highlights include: \n\nOctober 9 — Opening Reception & Artist Talk (5:30–7:30 p.m.; moderated by Teri Henderson)\nOctober 10 — Visionaries and Outcasts Reading with Tomashi Jackson\, Nia K. Evans\, Michael Brenson\, and Annie Storr (10–11:30 a.m.)\nOctober 11 — Talk/Draw with Jackson\, Evans\, Michael Hunt\, and members of With Us For Us coalition. DJ: M’Balou Camara (1–4 p.m.)\nOctober 17 — Public Arts & Humanities Panel (curated by Christopher Brooks) (12–1:30 p.m.)\nOctober 24 — Public Drawing Session with Alx Velozo (2–4 p.m.)\nOctober 29 — Dresher Center for the Humanities — CURRENTS: Arts & Humanities in Baltimore (12–1 p.m.)\nOctober 30 — Poetry Workshop with Ainsley Burrows (5–7:30 p.m.)\nNovember 5 — Nicole King on Poppleton and activist print culture (3–4 p.m.)\nNovember 12 — Public Drawing Session with Alx Velozo (3–5 p.m.)\nNovember 13 — Denise Meringolo on public history\, digital publishing\, and the Baltimore Uprising (12–1:30 p.m.)\nNovember 19 — Roundtable on Education History & Policy\, Part II\, with Tomashi Jackson and Nia K. Evans (live) & Davarian Baldwin and Matt Cregor (via Zoom) (12–1:30 p.m.)\nNovember 20 — With Us For Us in Conversation with Nia Evans (6–8 p.m.)\nNovember 22 — Closing Talk/Draw with Eric Mack\, Tomashi Jackson\, and Nia Evans. DJ: M’Balou Camara (1–4 p.m.)\n\nProgram details and updates will be posted at cadvc.umbc.edu. \n\nAbout the Contributors \nTomashi Jackson is an interdisciplinary artist whose practice combines painting\, printmaking\, and sculpture with archival research into public policy\, civil rights\, and histories of segregation. Her work has been widely exhibited\, including solo shows at the Museum of Contemporary Art Denver\, ICA Philadelphia\, and the Parrish Art Museum\, and is held in the collections of the Whitney Museum of American Art\, the Guggenheim Museum\, and the High Museum of Art. \nNia K. Evans is the Executive Director of the Boston Ujima Project\, an economic and cultural justice organization. Trained in labor relations\, education\, and policy\, Evans has advanced community-led funding initiatives and is co-creator of The Frames Debate Project\, a multimedia initiative linking policy and lived experience. She is editor of the forthcoming Pedagogy Study Hall publication. \n\nVisitor Information \nAdmission is free. \nPedagogy Study Hall will be open Tuesday through Saturday\, 10 a.m. to 5 p.m. Parking is free during evening and weekend hours\, and metered parking is available other times. Please visit here for directions and parking information. \nVisitors who need specific accommodations to attend our events or exhibitions\, should contact the CADVC at cadvc@umbc.edu or 410-455-3188. \n\n\nThis event is supported in part by the Arts+ initiative.
URL:https://options.umbc.edu/event/pedagogy-study-hall/
LOCATION:Center for Art\, Design\, and Visual Culture (CADVC)
CATEGORIES:All Events,Arts and Culture,Visual Arts
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DTSTART;TZID=America/New_York:20251008T120000
DTEND;TZID=America/New_York:20251008T130000
DTSTAMP:20251209T190514Z
CREATED:20250821T023355Z
LAST-MODIFIED:20251209T190514Z
UID:10000850-1759924800-1759928400@options.umbc.edu
SUMMARY:Entrepreneurship for Social Impact in the Arts and Humanities
DESCRIPTION:The Center for Innovation\, Research\, and Creativity in the Arts (CIRCA) presents a panel discussion\, Entrepreneurship for Social Impact in the Arts and Humanities. \nEntrepreneurship is often defined as the process of identifying\, developing\, and bringing a new venture to life\, often involving innovation\, risk-taking\, and the creation of economic value. Another way to think about entrepreneurship is through a measurable impact: solving a problem. Entrepreneurship is at the heart of much research in the arts and humanities\, however this work is often oriented towards social impact rather than monetary gain. This panel will highlight the entrepreneurial work of UMBC arts and humanities faculty in both their research and teaching. \nFeatured panelists: \n\nMelissa Blair is an Associate Teaching Professor and Director of Public History in the Department of History.\nAnn Sofie Clemmensen is an Associate Professor in the Department of Dance\, teaching courses in contemporary movement practice\, improvisation\, composition\, and interdisciplinary creative research.\nAmy Froide is Director of the Dresher Center for Humanities and is a Professor in the Department of History where she teaches courses in British history and European Women’s History\, focusing on the years 1500–1800.\nKevin Fulmer is Director of the Alex Brown Center for Entrepreneurship and Innovation.\nSteven McAlpine is an Assistant Teaching Professor in the Individualized Study program at UMBC.\n\nComplete biographies of the speakers are available on CIRCA’s event site. \n\nAdmission is free\, but reservations are requested. A lunch will be served at 11:45 a.m. preceding the event. \n\nThis event is co-sponsored with the Dresher Center for the Humanities. \n\nPhoto by Marlayna Demond ’11 for UMBC. \n 
URL:https://options.umbc.edu/event/entrepreneurship-for-social-impact-in-the-arts-and-humanities/
LOCATION:216 Performing Arts and Humanities Building
CATEGORIES:All Events,Arts and Culture,Dance,Humanities,Music,Theatre,Visual Arts
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251007T190000
DTEND;TZID=America/New_York:20251007T203000
DTSTAMP:20251209T190514Z
CREATED:20250923T155501Z
LAST-MODIFIED:20251209T190514Z
UID:10000964-1759863600-1759869000@options.umbc.edu
SUMMARY:Energy Wars at Home and Abroad
DESCRIPTION:The Center for Ethics and Values presents Energy Wars at Home and Abroad: A conversation with Andrew Light\, Philosopher and Former Assistant Secretary of Energy for International Affairs at the Department of Energy (2021–2025). The conversation will be moderated by Blake Francis\, Assistant Professor of Philosophy and Director of the Human Context of Science and Technology Program. \nAndrew Light is Distinguished University Professor of Public Policy\, Philosophy\, and Atmospheric Sciences\, at George Mason University; and Distinguished Fellow at the Institute for Climate and Sustainable Growth\, at the University of Chicago. \n\nAdmission is free. Preregistration is recommended\, but not required — please visit here to reserve a seat. \nUMBC is committed to creating an accessible and inclusive environment for all faculty\, staff\, students\, and visitors. To request accessibility accommodations\, please contact ethics@umbc.edu. \n\nThis event is presented by the Center for Ethics and Values; the Human Context of Science and Technology Program; and the Philosophy\, Politics\, Economics\, and Law Program. The event is cosponsored by the Department of Geography and Environmental Systems and the School of Public Policy.
URL:https://options.umbc.edu/event/energy-wars-at-home-and-abroad/
LOCATION:Fine Arts Recital Hall\, MD
CATEGORIES:All Events,Arts and Culture,Humanities
ATTACH;FMTTYPE=image/png:https://options.umbc.edu/wp-content/uploads/2025/09/Andrew-Light-400x400-1.png
GEO:39.2550860;-76.7135170
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251005T170000
DTEND;TZID=America/New_York:20251005T190000
DTSTAMP:20251209T190515Z
CREATED:20250923T011334Z
LAST-MODIFIED:20251209T190515Z
UID:10000963-1759683600-1759690800@options.umbc.edu
SUMMARY:Harmony Across Borders: UMBC Choirs Homecoming Concert
DESCRIPTION:In June 2025\, three UMBC choirs took part in an extraordinary summer performance tour through Europe. The UMBC Camerata\, conducted by Lulu Mwangi\, and UMBC Jubilee Singers and Gospel Choir\, conducted by Janice Jackson\, began with a concert in the beautiful city of Paris\, and then headed to Prague to perform with the Czech National Symphony Orchestra at the Summer Proms concerts. \nThe singers\, consisting of music and non-music majors\, staff\, alumni and community members\, joined forces with the Jeremy Winston Chorale and other talented singers to form a 100-voice American Choir. It was an opportunity for cultural exchange\, with students learning about European history and architecture\, and broadening global perspectives. \nIn this Choirs Homecoming Concert\, the choirs will perform selections from their European tour\, talk about their experiences\, present photos and videos from the trip\, and thank all the supporters who made this event possible. \n\nAdmission is free\, but ticket reservations are required. Please visit here to reserve seats. \n\nLinehan Concert Hall\, located in the Performing Arts and Humanities Building\, is easy to visit\, with plenty of free parking. Please visit here for directions and parking information. \n 
URL:https://options.umbc.edu/event/umbc-choirs-homecoming-concert/
LOCATION:Earl and Darielle Linehan Concert Hall\, Catonsville\, MD\, 21250\, United States
CATEGORIES:All Events,Arts and Culture,Music
ATTACH;FMTTYPE=image/jpeg:https://options.umbc.edu/wp-content/uploads/2022/11/Jubilee-Singers.jpg
GEO:39.255760007248;-76.715719439268
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250930
DTEND;VALUE=DATE:20251225
DTSTAMP:20251209T190515Z
CREATED:20250930T144636Z
LAST-MODIFIED:20251209T190515Z
UID:10000968-1759190400-1766620799@options.umbc.edu
SUMMARY:Inclusive Excellence
DESCRIPTION:The campus community is invited to explore Inclusive Excellence\, a a set of two visual arts exhibitions in The Commons. Developed by students in the spring 2025 Professional Practices in Graphic Design course taught by adjunct professor Katie Heater ’09\, visual arts\, and MFA ’13\, imaging and digital arts\, the striking installations can be viewed in the Mezzanine Gallery and West Entrance to The Commons. \nPlease visit here to learn more about Inclusive Excellence. \n\nAdmission is free. \nThe Commons is open Monday through Thursday from 7:30 a.m. to 11 p.m.\, on Friday from 7:30 a.m. to midnight\, on Saturday from 8 a.m. to midnight\, and on Sunday from 10 a.m. to 9 p.m. For more information about building hours\, please visit here. \n 
URL:https://options.umbc.edu/event/inclusive-excellence/
LOCATION:The Commons
CATEGORIES:All Events,Arts and Culture,Student Arts Events,Visual Arts
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GEO:39.2550091;-76.7108342
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20250902
DTEND;VALUE=DATE:20251220
DTSTAMP:20251209T190517Z
CREATED:20250714T161049Z
LAST-MODIFIED:20251209T190517Z
UID:10000821-1756771200-1766188799@options.umbc.edu
SUMMARY:Picturing Mobility: Black Tourism and Leisure during the Jim Crow Era
DESCRIPTION:The Albin O. Kuhn Library Gallery presents the exhibition Picturing Mobility: Black Tourism and Leisure during the Jim Crow Era\, on display from September 2 through December 19. \nPicturing Mobility explores what it meant to seek leisure and travel as a Black American during the Jim Crow era. The exhibition features snapshots and travel ephemera of Black leisure experiences primarily from the mid-Atlantic during the 1920s to 1960s. From beach outings to family road trips\, these images offer glimpses into everyday moments of happiness\, relaxation and community\, challenging dominant narratives that define the era solely through restriction and struggle. Viewers are encouraged to reflect on the emotional power of these images of Black resistance and mobility. \nExplore more about the Picturing Mobility exhibition. \n\nPublic Programs \nFriday\, September 19\, 5 p.m. — Join us for a curatorial talk with Elizabeth Patton\, chair and associate professor of media and communication studies at UMBC\, followed by an opening reception. \nThursday\, December 4\, 5 p.m. — Join us for a panel discussion with Corey Lewis\, Ashley Minner Jones\, Oyinda Omoloja\, Elizabeth Patton\, and Beth Saunders. The conversation will be moderated by Sophia Blessit-Sottileo\, Dean and Vice Provost of the AOK Library & Gallery. \n\nVisitor Information \nAdmission to Picturing Mobility and the public program is free. For driving directions and parking information\, please visit here. \nLibrary Gallery hours:\nMonday\, Tuesday\, Wednesday\, Friday: 10 a.m. – 5 p.m.\nThursday: 12 p.m. – 7 p.m.\nSaturday and Sunday: 12 p.m. – 5 p.m. \nPlease note — The Library Gallery will be closed from Wednesday\, November 26\, through Saturday\, November 29. \n\n\nThe presentation of this exhibition and its public programs is supported by the Arts+ Initiative; the College of Arts\, Humanities\, and Social Sciences; and an arts program grant from the Maryland State Arts Council\, an agency funded by the State of Maryland and the National Endowment for the Arts. Additional support comes from the Libby Kuhn Endowment Fund\, as well as individual contributors. \n\nImage: Addison Scurlock\, Picnic\, #78\, [Highland Beach\, Maryland]\, c. 1931\, printed 1982. Gelatin Silver Print\, The Photography Collections\, UMBC (P82-17-014). \n 
URL:https://options.umbc.edu/event/picturing-mobility-black-tourism-and-leisure-during-the-jim-crow-era/
LOCATION:Albin O. Kuhn Library Gallery
CATEGORIES:All Events,Arts and Culture,Visual Arts
ATTACH;FMTTYPE=image/jpeg:https://options.umbc.edu/wp-content/uploads/2025/07/Picturing-Mobility-1.jpg
GEO:39.2563038;-76.7115496
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