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DTSTART;VALUE=DATE:20260115
DTEND;VALUE=DATE:20260119
DTSTAMP:20251219T191008Z
CREATED:20251219T191008Z
LAST-MODIFIED:20251219T191008Z
UID:10001043-1768435200-1768780799@options.umbc.edu
SUMMARY:Shakespeare in Harlem
DESCRIPTION:Shakespeare in Harlem moves downtown to the Chesapeake Shakespeare Company! If you missed the performances at UMBC’s Proscenium Theatre in October and November\, be sure to reserve tickets for four performances in January! \nUMBC Theatre presents Shakespeare in Harlem by Langston Hughes\, adapted and directed by Gerrad Alex Taylor\, a university-professional collaboration between UMBC Theatre and the Chesapeake Shakespeare Company. \nThe year 2025 marks the centennial of the Harlem Renaissance\, perhaps the largest cultural and artistic American movement of the 20th century. In celebration\, the Department of Theatre will amplify the work of Black and African American theatre-makers and our engagement with the Baltimore theatre community by mounting an adaptation of Shakespeare in Harlem by Langston Hughes. \nA rare gem from Langston Hughes\, this collection of monologue poems revives the rhythms of jazz\, the blues\, and the pulse of the Harlem Renaissance—its love\, struggles\, and street-corner spirit. In director Gerrad Alex Taylor’s adaptation\, Hughes’ words come alive in a dynamic full-length play\, blending poetry\, music\, and dance for an immersive journey into the world he so vividly celebrated. \nThe production process included a UMBC residency of Chesapeake Shakespeare Company’s Black Classical Acting Ensemble in the Fall of 2025\, culminating in a two-week run of the play performed by a cast of professionals and students. In Winter 2026\, the play will be remounted for a week’s run at Chesapeake Shakespeare Company’s downtown home on South Calvert Street. \n\nPerformances at Chesapeake Shakespeare Company (7 South Calvert Street\, Baltimore\, MD 21202) \nThursday\, January 15\, 2026\, 7:30 p.m. (Black Out Performance)\nFriday\, January 16\, 2026\, 8 p.m.\nSaturday\, January 17\, 2026\, 2 p.m.\nSunday\, January 18\, 2026\, 2 p.m. \n\nPlease visit here to reserve seats for the performances at Chesapeake Shakespeare Company. \nContent Disclosure: This play contains racially and sexually charged language\, including derogatory and offensive language\, staged violence\, including the use of a prop gun\, and references to drinking. This play deals with themes of racism\, sexism\, death\, poverty\, and displacement. \n\nPoster artwork by Eric Abele. \n\n\nThis event is supported in part by the Arts+ initiative.
URL:https://options.umbc.edu/event/shakespeare-in-harlem-2/
LOCATION:Chesapeake Shakespeare Company\, 7 South Calvert Street\, Baltimore\, MD\, 21202\, United States
CATEGORIES:All Events,Arts and Culture,Theatre
ATTACH;FMTTYPE=image/jpeg:https://options.umbc.edu/wp-content/uploads/2025/12/SHAKESPEARE-IN-HARLEM-FINAL-HEADER.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260121
DTEND;VALUE=DATE:20260126
DTSTAMP:20260123T154715Z
CREATED:20251216T174558Z
LAST-MODIFIED:20260123T154715Z
UID:10001041-1768953600-1769385599@options.umbc.edu
SUMMARY:Stuart Saunders Smith: The Night Suite
DESCRIPTION:Join us January 21–25 for five concerts — collectively called The Night Suite — that celebrate the life and creativity of composer Stuart Saunders Smith\, who was professor of music at UMBC for many years. His more than 300 compositions\, both solo and ensemble\, explore a diverse world of sound and experimentation. A frequent author of percussion music\, Smith returned time and again to the vibraphone\, an instrument featured throughout The Night Suite. Performances over the five days will feature virtuosi Brian Graiser\, Lee Hinkle\, Aiyun Huang\, Ayano Kataoka\, Richard Putz\, Stephen Solook\, Jude Traxler\, and others. \nWednesday\, January 21\, 7:30 p.m.\nPlenty (2004)\, in 34 movements (“conversational version”)\nAiyun Huang\, Richard Putz\, and Brian Graiser\, vibraphones \nThursday\, January 22\, 7:30 p.m.\nNew England (2011)\, in 11 movements\nAyano Kataoka\, vibraphone \nFriday\, January 23\, 7:30 p.m.\nThe Deep (2014)\, in 4 movements\nStephen Solook\, vibraphone \nSaturday\, January 24\, 7:30 p.m.\nTwo Ballads:\nMy Romance (2016) — Jude Traxler\, vibraphone\nAlone (2016) — Richard Putz\, vibraphone\, and Kylie Carter\, vocals \nPOSTPONED — Sunday\, January 25\, 3 p.m. — Because of the impending storm and UMBC’s closure on Sunday\, this event will be rescheduled.\nCommune\, a concerto for vibraphone in four communes\nLee Hinkle\, vibraphone\, with Christopher Blossom\, soprano saxophone; Lisa Cella\, flute; Yoshi Horiguchi\, double bass; Jeremy Keaton\, cello; Thomas Moore\, piano; Michelle Purdy\, percussion; Max VanDerBeek\, percussion; and Airi Yoshioka\, violin.  \n\nStuart Saunders Smith (1948–2024) was a confessional composer in the New England tradition. “My music is about my life\,” he said. “I am after the particular\, for the revelations of the particular speak to the universal. Composition\, for me\, is autobiographical. Composing means making sense of my person and personal history. I keep company with myself\, and come to understand myself.” \nStuart Saunders Smith’s music is published by Sonic Art Editions (Smith Publications) and has been recorded on New World Records\, 11 West Records\, Centaur Records\, Opus One Records\, O.O. Discs\, Cadenza\, and GAC Sweden. \nDuring his long career\, Smith served on the faculty of the Atlantic Center for the Arts\, the Darmstadt Musikinstitut (Germany)\, Percussion Workshop Poland\, and UMBC. He was in residence at the University of California San Diego\, Yale University\, Documenta 1992 (Kassel\, Germany)\, the University of Gothenberg (Sweden)\, and New College Florida. \nSmith did not compose using any pre-compositional systems or designs. Concerning his compositional process. Rather\, with each piece\, he proclaimed and reconsidered his core beliefs\, sound by sound\, in the context of decades of music-making. He held that each sound is intelligent\, and\, when listened to\, could direct the course of events in the composition. In this way\, he listened to each sound to tell him what sound should come next\, until each piece was finished. \n\nAll performances will be held in Linehan Concert Hall. \nAdmission is free. \n\nLinehan Concert Hall\, located in the Performing Arts and Humanities Building\, is easy to visit\, with plenty of free parking. Please visit here for directions and parking information. \n\nPhoto of Stuart Saunders Smith courtesy of Sylvia Smith. \n 
URL:https://options.umbc.edu/event/stuart-saunders-smith-the-night-suite/
LOCATION:Earl and Darielle Linehan Concert Hall\, Catonsville\, MD\, 21250\, United States
CATEGORIES:Arts and Culture,Music
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DTSTART;VALUE=DATE:20260126
DTEND;VALUE=DATE:20260523
DTSTAMP:20260519T144242Z
CREATED:20260120T152853Z
LAST-MODIFIED:20260519T144242Z
UID:10001099-1769385600-1779494399@options.umbc.edu
SUMMARY:Mary Ellen Mark: Ward 81
DESCRIPTION:The Albin O. Kuhn Library Gallery presents Mary Ellen Mark: Ward 81\, a photography exhibition on display from January 26 through May 22. \nIn 1976\, American photographer Mary Ellen Mark and sociologist Karen Folger Jacobs spent thirty-six days living in the Oregon State Hospital\, where they photographed the residents of Ward 81\, the hospital’s all-female\, high-security psychiatric unit. Their unprecedented access allowed them to create a deeply nuanced portrayal of women navigating psychiatric care in the mid-1970s. Mary Ellen Mark: Ward 81 brings together Mark’s photographs\, Jacobs’s newly uncovered audio recordings\, and rare archival materials\, offering an intimate and expanded view of this landmark documentary project. \nAn opening reception and curatorial tour will be held on Thursday\, February 12\, at 5 p.m. \nA public program featuring Kaitlin Booher (William and Sarah Ross Soter Associate Curator of Photography\, Columbus Museum of Art) and Holly Avella (assistant professor of media studies and data analytics\, UMBC) will be held on Thursday\, April 2\, at 5 p.m. \nRead the review by Jack Livingston in BmoreArt\nRead the review by Rona Kobell in The Banner \n\nVisitor Information \nAdmission is free. For driving directions and parking information\, please visit here. \nLibrary Gallery hours:\nMonday\, Tuesday\, Wednesday\, Friday: 10 a.m. – 5 p.m.\nThursday: 10 a.m. – 7 p.m.\nSaturday and Sunday: 12 p.m. – 5 p.m. \n\nImage: Mary Ellen Mark\, [Laurie in the Bathtub\, Ward 81\, Oregon State Hospital\, Salem\, Oregon\, USA]\, 1976. © Mary Ellen Mark\, courtesy of The Mary Ellen Mark Foundation. \n 
URL:https://options.umbc.edu/event/mary-ellen-mark-ward-81/
LOCATION:Albin O. Kuhn Library Gallery
CATEGORIES:All Events,Arts and Culture,Visual Arts
ATTACH;FMTTYPE=image/jpeg:https://options.umbc.edu/wp-content/uploads/2026/01/Ward81-3.jpg
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